Sin-Dee’s furious energy as she goes on a rampage against her new rival is alternately unnerving and hilarious, while the confident Alexandra’s blunt reaction to a stingy customer gains much from her exuberant attitude. Over the course of their daylong odyssey, “Tangerine” never slows down. The effect at once creates a sort of documentary realism and comments on the raggedy nature of the story by getting intimate with its subjects. Most scenes unfold on dirty street corners and brightly-lit establishments that serve as the rambunctious figures’ natural habitat. Shot exclusively on an iPhone 5 by Baker’s usual cinematographer Radium Cheung, the high contrast lighting enhances the gritty L.A.
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Baker underscores their exchanges with abrupt music cues, but it’s the unique look of the movie that truly lends itself to the perception of a fully defined world. Their plight adopts a unsuspecting screwball mold - a canny trick that manages to make their tale universally relatable.įrom the first scene, Baker plunges us into a lively world: Sitting in a diner shortly after Sin-Dee has been released from prison, the pair discuss her pimp boyfriend’s infidelity in a moody exchange that culminates with her decision to angrily track down the latest target of his affection.
Set over the course of a single day, the vibrant movie plays out like a buddy comedy, as fellow prostitutes Sin-Dee (Kitana Kiki Rodriguez) and Alexandra (Mya Taylor) wander around downtown L.A.
51 Directors' Favorite Horror Movies: Bong Joon Ho, Quentin Tarantino, Guillermo del Toro, and More.Streaming Services Strike Big on the Shortlist for Best Documentary Short.'Disco Boy' Review: French Foreign Legion Drama Bluntly Portrays the Horrors of War.'Inside' Review: Willem Dafoe Is Trapped in World's Most Pretentious Penthouse.Similarly, “Tangerine” uses a crowdpleasing formula to explore figures typically reduced to caricature. More specifically, “Tangerine” calls to mind “Prince of Broadway,” which blended the naturalistic portrait of a Chinatown purse smuggler with a story of reluctant fatherhood that wouldn’t seem out of place in a studio production. His latest movie “ Tangerine” feels more in tune with the two earlier features, which is a very good thing: In this ramshackle and wildly entertaining romp, as two transgender prostitutes in Los Angeles endure various dramas on Christmas eve, Baker once again manages to match underrepresented faces in American cinema with material that lets their personalities shine. These have ranged from hustling lower class immigrants in “Take Out” and “Prince of Broadway” to the travails of a meandering porn actress in “Starlet,” for which Baker brought the same nuanced approach to an unlikely target.
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Writer-director Sean Baker has explored the lives of marginalized American characters in an ever-fascinating series of unorthodox projects.
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